Tortured agonizing: how to securely mount & display this delicate alabaster carving! I want to secure it to be hung on the wall: the idea being to partially embed the alabaster in epoxy in order to stabilize the faults in the stone & at the same time attaching it to a wood? backing for hanging. But what does this look like? How big? What color? Or pattern? Should it be in a frame or just simple? Decisions, decisions!
New Words
New words for old ideas:
Reading an Oxford University “Short Introduction to the Meaning of Life”, I discover/decide that I am a creator of fiction. As a voracious reader, primarily of fiction, I used to think I might be a writer of fiction. But that never came to pass, I did not even dabble in writing with any energy.
Instead I (eventually) became a mixed-media artist. As such, I decide now that I do create fiction: I am a fiction writer without words.
I justify this notion on the basis that I am certainly not a representational artist striving to realistically portray the world around me. I am in no way a documentarian, seeking to identify and describe actual events or objects. The idea or recording what I see in front of me bores me to tears.
So I seldom draw or paint what I see directly.
I don’t make art to record people, places, or things; I create in order to satisfy something in myself that I cannot put into words, or record with a camera.
While I certainly include representation in my work, it is rare that representation is the primary purpose or focus in a finished artwork.
Perhaps I use “indeterminancy and obscurity” to reflect (rather than portray) a personal and emotional truth.
