Translucent towers continue
It has been a year, and !
It has been a year since my last art show at 1012 Coffee Bar, so it is that time again! I just hung the show, with much invaluable assistance from Michael, and while it may get a little re-arrangement, it is mostly there! I have one more piece I want to take up, but I am too tired to go back today!
Update: I found two MORE pieces that I want to hang in this show… good grief!
Tommorrow I will think about scheduling a little reception for friends… but for now I am just relieved/pleased to have the work properly presented & on display. Some of it was ready to go weeks ago, but I was working on some pieces, and the work list, from my arrival home yesterday until I headed uptown at 10:00am today. I am tired!
Photos & samples online don’t do it justice, so head up to 1012 to see it for yourself!
Back to work…
I have “assembled” & framed a larger version of the bird nest piece that I have been working on for quite awhile. This version has a background of tree branches drawn in two layers: first on the matboard that the other parts are mounted, but also on an overlay of translucent vellum (also behind the birds, which are raised up on another layer of matboard).
The bird sketch was done last night, after seeing the current exhibition at SAM, which is Modernism in the Pacific Northwest: the Mythic & the Mystical. This features Mark Tobey & Morris Graves, Kenneth Callahan, & Guy Anderson.
A fine show, and of course Morris Graves’ birds always catch my eye.
This show opens tomorrow in Seattle
Artist’s Statement for COMMUNITY REFLECTIONS at the TKLofts
The exhibit COMMUNITY REFLECTIONS involves some hard truths. Residents of the Tashiro Kaplan lofts are part of a wider urban community; they see and experience the consequences of poverty & pain in the street every day. The harsh reality of homelessness and drug addiction is far more visible in Pioneer Square than it is in my comfortable community, but violence and suffering are here too. How can members of this community experience the danger, feel the fear, see the pain, and remain open to the humanity in everyone? My work is about trying to make sense of this chaos in our world. I am learning to use light and translucency to extend the depth of my work. This may represent the light we need to shine into the shadows of our difficult interactions with other human beings.
I make art to satisfy myself, and to share my experiences. Art is self expression: a visual journal of my experiences and emotions. At times I want to communicate the sense of mystery and delight I feel when I look around at natural and man made objects. At other times I may express the angst & pain I observe around me, or experience in my own life.
I am a mixed media artist with a particular interest in printmaking, drawing, and sculpture. I use pencil, water soluble graphite, charcoal, colored pencil, pastels, Conté crayon, ink, paint, along with found objects, silk threads, cheesecloth, beeswax, driftwood, and more. I save and use my own work as elements in both physical and digital collage; I use a computer, scanner and archival ink jet printer as artists tools to modify and create new images. I especially enjoy the layering and combining intrinsic to print making and collage. As I work, I draw upon a backlog of my own drawings and prints: I may incorporate or transform older work in new projects.
I don’t start with a detailed plan, rather I explore an idea & appreciate the element of surprise. At some point a plan “happens” and I find myself working toward a finished piece. I love to improvise (think Jazz). I try to balance a need for control, which requires technical skill and practice, with a sense of play and exploration. Despite an emphasis on play, I take my explorations seriously. I am not interested in following techniques and trends in the art world, however I love to see the work of other artists and to explore new techniques. It is a delight when I encounter a technique that will help me express my own visual “thoughts”.
My grandfather was a painter and I liked to draw as a child, but disliked art classes did less drawing. I abandoned a college art major for computer science. “Making things” still happened, but only as a weekend hobby until I moved to Port Townsend in 1998. Making art became important and satisfying daily work, and I have an art studio next door to my home. I surround it with assemblies of found objects and odd creations: my yard art.
I have benefited from regional art classes as well as painting and sculpture classes in San Miguel de Allende, Mexico. I participate in a weekly art seminar that has fed the artist in me for many years. I am a member of Corvidae Press, a fine art printmaking guild, and participate in our annual print exchanges. For four years I have participated in the Brooklyn Art Library Sketchbook Project. I enter work in regional juried art shows, when the wind is right!
COMMUNITY REFLECTIONS July 3rd – 21st, 2014 List of Artwork by artist Sandra Stowell
My work in this exhibition is not for sale. It is experimental, and most pieces are, I hope, prototypes for larger more durable work.
1. Four Watchers, 70”x72”. Fabric, photo transfers, & ink. This curtain screens but lets in the light, and it changes with the light. The center area represents the connections made & broken by power lines, phone lines, & building rooftops in the city. The rats go everywhere, and see everything although we only seem them some of the time.
2. The Fight I & The Fight II, each 20” x 24”. In each piece, an observer watches with angst the tension between a female & male figure. Someone will get hurt. These works are translucent, designed to hang in front of a window or other diffuse light.
3. The Ancestors, 16” x 20” plus frame. The watchers in this 2-D mixed media work are strong and tense, but they are not anxious as they watch the bones of a human figure returning to the earth.
4. Shattered, 6” x 6” x 18”. Plexiglass, inkjet prints, tape, LED lights. The two fighting figures are in Pioneer Square, represented by the iron & glass Victorian pergola which has been shattered and restored several times.
5. Community of Shadows, 18” x 22” x 26”. Lightbox, cardboard, plywood, spraypaint, vellum, inkjet prints, markers. Translucent abstract and representation 3-sided figures populate a lit stage. This piece is both dark and light, and it is not clear why these figures gather here or how they relate to each other.
Working: additional drawings of Ratty
I am using my rats in two projects: a 6’x6′ “curtain” that can be back lit, and on translucent 3-sided “towers”.
I am showing the curtain & a “stage set” with the small “towers” in Seattle! But Ratty continues to divert me, even as a scurry to make this deadline.
I will reconfigure the arrangement below, I think. There are translucent images in 3 plastic box frames… I like the idea of the top rat swimming, but I will raise him above the water line, though the imagery of drowing, sink or swim, is interesting 🙂




























