I have added a little (dark & light) relief to this older monoprint. I had fun with ink & metallic paint! Not my finest work, but fun… and those dark dark “flowers” are just yummy!
Considering the Possibilities: a Salon des Refuses?
I wonder how many artists in the local area who have submitted artwork rejected by the juror for Collective Visions Gallery’s 2014 annual show? Since many works get rejected, and most artists submit several works, there must be a good many rejected artworks in the neighborhood.
Enough for a Salon des Refuses? Certainly! And if there are too many, we would give priority to works by artists with all entries refused 🙂
But how to reach the artists? Advertise?
Where can we hold the show? Port Townsend or Bremerton? Hmmm, that is easy if I am to organize it: Port Townsend of course!
Let’s be thinking about this!
See these and more in this series on Facebook.
The Spill, Walking Bones Series
Bones in the Caul
Ph testing & treating paper
Having used some intersesting “found” paper for a print collage which turned out to be something I really like, I started worrying about the quality of these large sheets of colored paper. After a little Internet research, I bought a Lineco Ph testing pen, and tests on scrap seem to indicate the paper is acidic.
Mind you, all these ph test pens get some rather mixed reviews, and test reports recommend that you test the pen first yourself, and develop your own color scale since manufacturers information is not reliable! Still a few tests on paper advertised as acid-free produced a light lavender consistent with the pen instructions, while tests on tissue paper and newsprint were clear, indicating high acid content.
So then what to do with my acidic artwork? I settled for buying a can of Krylon “Make It Acid-Free!”. A couple of test sprays did not alter the paper color or the ink colors. And my Lineco pen seemed to indicate lowered acidity, so I sprayed the work. Then I was in for a day of panic: several pinky brown patches, some quite large, scarred my work! Horror, and I gave it up as ruined when they remained after a few hours of drying time. Probably the spray was reacting to previously invisible oils, glues, or other material.
Next morning, surprise! The splotches had faded completely. The piece looks as before.
However on further testing of scraps, reapplication of spray, etc. I doubt the value of the spray. The purple writing of the test pen on the sprayed paper fades to almost clear very quickly (a few minutes), and a clear result indicates high acidity. The spray is probably a very thin porous coating of low acid material that does not really penetrate the paper. After three light coats of spray a whitish coat is starting to show on my colored paper.
So hard to know if I am wasting my time (and money). I would love this artwork to be a little longer lived & light resilient, but what to think? What to do!!??
Holiday fun in art class yesterday
Finally trimmed out:
Two Small Expressions
Two of my art pieces have been accepted in the December juried exhibit at Northwind Arts Center. This show opens Friday, December 6 at noon, and the Opening Reception is during Port Townsend Art Walk on December 7 – 5:30 to 8 pm. Juror Michael McCollum gives an Art Talk on December 15 at 1 pm.
Itchy for art? Scratch it!
Saatchi Online sells my work: fine art prints!
Saatchi Online sells high quality fine art prints of artwork uploaded to their site. I have uploaded a modest portfolio of works created over the past three years, and I invite you to shop here:
http://www.saatchionline.com/profile/92565
Maybe you want to give someone an unusual Christmas gift?
Please let me know if you do visit Saatchi Online to see my work. You can leave a comment there, and/or “like” my Saatchi Online art portfolio via Facebook or other social media. Thank you!










